Seductive Subversion: Women Pop Artists 1958-1968

Seductive Subversion: Women Pop Artists 1958–1968 is the catalogue of the first exhibition to expand Pop Art’s narrow critical definition to reflect the significant role of these women artists. The culmination of six years of research by Sid Sachs, this exhibition, organized by the Rosenwald-Wolf Gallery of the University of the Arts, Philadelphia, is touring nationally. The essays in this catalogue span from London’s Independent Group in the early 1950s to the end of classic Pop in 1968. Written by the art historians Linda Nochlin, Sid Sachs, Kalliopi Minioudaki, Bradford R. Collins, Annika Öhrner, and Sue Tate and the artists Martha Rosler and Patty Mucha, these texts will be revelations and will remain a vital reference for artists, art and cultural historians, and feminists alike. Artworks by Pauline Boty, Chryssa, Rosalyn Drexler, Jann Haworth, Yayoi Kusama, and Marisol, as well as now lesser-known figures such as Barbro Östlihn and Dorothy Grebenak. Numerous works are discussed in depth from a number of vantage points.